The “Art nouveau” according to Hector Guimard
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The theatre armchairs of the Salle Humbert de Romans and their re-discovery
This is not a Guimard: theatre armchairs
This is not a Guimard: a pair of cast iron firedogs
Le Cercle Guimard has been recognized as an association of public interest
“National”, “Style Nouveau”, “Architecte d’Art”, “Style Guimard” and “Style Moderne”, the qualifiers applied by Guimard to his work and its posterity
The Daum vase of the Guimard’s bedroom
Guimard’s stand at the Exposition de la Céramique in 1897 and other architectural achievements in glazed ceramics
The ceramic decorations of the Castel Béranger
La Grande Tuilerie d’Ivry — Part Five: Muller “all fire and flame”
La Grande Tuilerie d’Ivry — Part Four: Muller and Hector Guimard, other achievements.
La Grande Tuilerie d’Ivry — Part Three: Muller and Hector Guimard, Hotel Roszé and Hotel Jassedé.
La Grande Tuilerie d’Ivry — Part Two: Muller and Art Nouveau
The Grande Tuilerie at Ivry — Part One: the Muller company
The Epidemic of Fake Bronze Subway Surrounds in the United States – Part Three: Past and Future
The Epidemic of Fake Bronze Subway Surrounds in the United States – Part Two: Other Known Bronze Copies
The Epidemic of Fake Bronze Subway surrounds in the United States – Part One: An Auction that Flops
Exhibition at the Hotel Mezzara
Guimard’s contribution to the 1925 exhibition.